![]() ![]() As a result, anyone who sees “Sleep No More” will be experiencing the show in silence with anonymous, haunting masked audience members, most of whom are just as confused and curious as you are.Īudience members are encouraged to pave their own “Sleep No More” journey. The new mask is cut above the nose and is worn along with KN95 masks that are distributed at the door. Before the pandemic, audience members at “Sleep No More” donned avian-like masks, eerily similar to the ones worn by bubonic plague doctors in medieval times. The most notable difference in the post-COVID, fictitious setting of Gallow Green, Scotland: the masks. “Sleep No More” reopened February 14th, after a two-year hiatus due to the COVID-19 pandemic, with a new commitment to immersion and a hope to continue its legacy as a revolutionary concept in the theater world. After adjusting into the time period, guests are told to put on plastic masks designated for audience members, and are ushered into a freight elevator, where their journey begins. The reason for this is at the end of the maze, you emerge into the Manderley Bar, the hotel’s gaudy, elaborately decorated and fascinating 1930s jazz bar. Upon entering and checking any coats, visitors receive a playing card as a ticket, and enter a dark maze, which many guests have likened to traveling back in time. I knew the basics: actors and actresses would be performing the story of Shakespeare’s Macbeth, devoid of any dialogue, simultaneously in multiple rooms throughout the hotel, which had been abandoned and condemned in 1939. When I entered the dimly lit foyer of the warehouse known as the McKittrick Hotel in Chelsea, I had no idea what awaited me, which was a disturbing but deeply exciting feeling. ![]()
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